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That isn’t necessarily a criticism, as the game is often so immersive on a technical level that you’re likely to be too impressed by its visuals to be dreading whatever’s on the other side of the door you may or may not open. If you aren’t content to watch your masterpiece by your lonesome, there’s even an online mode in which up to seven friends can spectate and vote on every choice you make - not that you, brilliant auteur that you are, are bound by their input.įor all that, “The Quarry” isn’t actively scary much of the time. You may want to anyway, as the haptic feedback of PlayStation’s DualSense controller adds to the immersion: The way it rumbles in your hands or flashes different colors lets you know you’re in trouble.

#7 YEARS FROM NOW GAME REVIEW MOVIE#

It features a movie mode that allows you to choose certain presets - every character survives, for instance, or even every character dies - and simply watch the chaos you’ve wrought without ever having to pick up the controller. If you fall into that camp, “The Quarry” might still be for you.

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There’s also the question of duration: “The Witch” is over in 93 minutes, but “Alien: Isolation” will stress you out for a full 20 hours. When a dreaming teen dies at the hands of Freddy Krueger, it’s lights out forever when one of the inmates running the asylum in “Outlast” kills you, you have to go back to the last checkpoint and try again. You don’t have the option of putting your hand over your eyes and bracing yourself for the next jump scare while playing a “Resident Evil” game - you have to actually take control of the situation and progress through the story yourself. The reason goes beyond some in the former camp simply not playing any video games at all, as the survival-horror genre tends to be highly stressful. While it might sound counterintuitive, there isn’t total overlap between those who love horror movies and those who love horror games. Read More: Amazon Is Restocking The Playstation 5 - But It’s by Invitation Only Some choices are time-sensitive, giving you just a few seconds to decide whether to keep running from danger or find a hiding spot and hold your breath until it’s safe to exhale.

To say that David Arquette’s character really, really looks like David Arquette would be an understatement, which is precisely the point - relying on familiar faces may even be the game’s most explicit attempt to feel like an interactive movie.

The development team is said to have written more than 1,000 pages and 186 possible endings, all of which depend entirely on player choice.Īt least on the screen, those choices are made by a cast anchored by horror mainstays: David Arquette, Lin Shaye, Lance Henriksen, Ted Raimi and Grace Zabriskie, to name a few, all of whom provided motion-capture performances in addition to their voices. Here’s what makes this game different, though: You watch “ The Quarry” as often as you play it, with extended cutscenes contextualizing those crucial moments in which you make decisions that reverberate long after those choices are made. If you’ve seen literally any horror movie, you’ll already have an idea of where this is going. You watch as Laura (Siobhan Williams) and Max (Skyler Gisondo) drive through the night for several minutes before you actually do anything, by which time you’ll have learned a few key pieces of information: The two are on their way to Hackett’s Quarry, a summer camp in Upstate New York, where they will spend the next few months as camp counselors. The game is the spiritual successor to 2015’s “Until Dawn,” also made by Supermassive, which functioned the same way but wasn’t quite as sophisticated in its branching paths.

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Developed by Supermassive Games and released on Windows, PlayStation 4, PlayStation 5, Xbox One and Xbox Series X/S by 2K Games, it’s essentially a choose-your-own-adventure slasher flick in which the player has near-complete control over who lives, who dies and how the entire story plays out. There are exceptions, of course, with “The Quarry” being the most recent game - and, in some regards, one of the most notable - to blur the line between passive and active entertainment. Movies are meant to be watched, video games are meant to be played and never the twain shall meet. Some purists would even argue that the medium undermines itself by trying to imitate another.

This often doesn’t work - if the story isn’t there, long cutscenes (also known, not coincidentally, as cinematics) interrupting actual gameplay can be more tedious than immersive. It isn’t just prestige television series that want to be thought of as “like a 10-hour movie.” For years now, video games have sought to become more cinematic by focusing as much on narrative as they do on interactivity. If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.

7 years from now game review